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We Are The Clash: Reagan, Thatcher, and the Last Stand of a Band That Mattered, by Mark Andersen Ralph Heibutzki
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Review
"One of the most rewarding music books you'll come across this year...By focusing as much on the politics that motivated the Clash, We Are the Clash becomes a vital political history as much as an account of an underdocumented portion of a band's career. Great music books catalyze critical reconsiderations; We Are the Clash does one better, inviting readers to consider what matters to them: the creative commodities that artists produce? Or the ideals, however complexly and clumsily human they may be, that often compel artists to create in the first place."--Johns Hopkins Magazine"Given the number of books out there about The Clash, this is, as I stated, the only one to take a genuine, unbiased and in-depth appraisal of this era of the band. Given the quality of the writing, this could also be the most essential book about the band."--Scanner Zine"We Are The Clash celebrates the struggle for humanity, both in a band and in the wider world community. Traveling the journey of The Clash's final years is no train in vain. The benefits of understanding history allow readers to see that the future is unwritten, as long as mistakes from the past are not dutifully repeated, but learned from. The Clash, with all of their faults, represented a creative force to be reckoned with. They showed that anger could be power, if one knows how to use it...While We Are The Clash painstakingly shows how The Clash faltered, this book shows how they left a lasting impression. The Clash, as a band, did not overthrow the Thatcher government or even the Reagan White House. They used the power of music to educate through protest anthems and put a hole through the façades perpetuated by right-wing governments. As The Clash did this, they left it to the people to collectively take on the mantle of revolutionary action. Now it's up to you to get this book and enable your future."--SLUG Magazine"Thanks to what must've been exhaustive research into contemporary bootleg recordings of live shows and articles chronicling the audience response to the performances, Andersen and Heibutzki provide intensely detailed evidence that this was a band which was firing on all cylinders--especially in a live setting--almost until the very end...Seriously: if nothing else, track down We Are The Clash and read Chapter Eight, 'Movers and Shakers Come On.' It will reaffirm any fandom you might've once lost for The Clash, and for those who've ever doubted them or considered them 'corporate punk,' it'll give you fresh eyes on the band. It's fucking magical."--Cinepunx"The inside story of the last great British punk record."--Jon Savage, author of England's Dreaming"We Are The Clash tells an important part of the story of both The Clash and punk rock. The repercussions of what went down politically both in the USA and UK back then are still very much felt today."--Kosmo Vinyl, former manager of The Clash"At long last, The Clash's final incarnation has been definitively chronicled. Mark Andersen and Ralph Heibutzki have brilliantly filled in the blanks of the 'Clash Mark II' era, including its eventual implosion. Beautifully constructed and brilliantly written...I was riveted, unable to put it down."--The Baker, from the foreword"Smash your television and buy this book! We Are The Clash proves, once again, the importance of The Clash, even during their rarely discussed and most maligned period. Situated in the Reagan/Thatcher era, We Are The Clash illustrates why, when Reagan called women like my mom 'welfare queens,' I bought a ticket to see 'the only band that matters,' and then went on to start one of my own."--Michelle Cruz Gonzales, author of The Spitboy Rule: Tales of a Xicana in a Female Punk Band"The Clash are remembered as much for their blistering music as their gritty yet hopeful message to listeners worldwide. In this first serious look at The Clash's music and meaning, post–commercial success, the authors mix thoughtful reflection with grassroots political analysis in an effort to inspire a new generation of music fans and activists to Cut the Crap."--Craig O’Hara, author of The Philosophy of Punk: More than Noise!
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About the Author
Mark Andersen is the coauthor of Dance of Days: Two Decades of Punk in the Nation's Capital and author of All the Power. He lives in Washington, DC.Ralph Heibutzki (Chairman Ralph) is the author of Unfinished Business: The Life & Times of Danny Gatton. He lives in southwest Michigan.
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Product details
Paperback: 400 pages
Publisher: Akashic Books (July 3, 2018)
Language: English
ISBN-10: 1617752932
ISBN-13: 978-1617752933
Product Dimensions:
5.9 x 1 x 8.9 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#333,709 in Books (See Top 100 in Books)
Wow. This book is an entertaining read and so much more.1) The authors have revealed, through their personal experiences with the Clash Mk 2 as well as painstaking research, a story of the post-82 Clash that is completely different from the narrative that has existed for decades. They successfully make the case that, far from being a joke, they were doing something worthwhile - their music was full of potential and carried an important message.2) The authors go above and beyond to connect the story of the Clash Mk2 with the politics of the time. As they Clash were fighting against their inevitable demise as a group, so too was the dream of post-war Western society making its final stand against neo-liberalism.3) Insightful thoughts pepper the book. Did Bernie Rhodes fill a need in Joe Strummer for a father figure? How was Joe, a boarding school kid from a generation of stiff upper lips, supposed to handle the intensity of his own inner world while being hammered on all sides? Far from distracting from the story, such thoughts add flavour to a complex portrait of a band and a culture in crisis.Congratulations to the authors on an exquisitely crafted and thought-provoking story. And thank you for finally doing justice to the noble intentions of a misunderstood period of the Clash. Bravo.
We Are the Clash is a through and fascinating look at a band in turmoil amidst the chaos of the eighties. A book that was several years in the making and well worth it. I have always found this era of The Clash so fascinating and one of the few people who actually enjoyed their last studio album "Cut the Crap" warts and all. But the untold story behind the years of 1983-1985 have now been told in full detail about the conflicts Joe Strummer had to deal with (death of parents, puppeteer/manager/sixth member Bernie Rhodes), the dismissal of chief songwriter Mick Jones and strung out drummer Topper Headon whom became a totally liability. Authors Mark Andersen and Ralph Helbutzki document not only the troubled times within the band but the era of Reagan and Thatcher which played a key role in Strummer & Co, continuing to trudge along with being the sole voice of reason in the mainstream music industry.Learning about the chaotic behind-the-scenes machinations during the recording of "Cut the Crap" is also fascinating as well which explains why the finished album sounded like the way it did along with the videos, singles and other unique promotional merchandise that were to come out but never did due to the collapse of the band. I really enjoyed this book and if you're a fan of The Clash, Joe Strummer or punk rock in general then I highly advise you to pick up a copy of "We Are The Clash." It's a labor of love and a must read.
Amazingly detailed and sympathetic look at the last days of The Clash. It's alternating narratives of what was happening politically in the UK and USA work extraordinarily well. I learned a lot about an era that was formative in my life. Highly recommended.
This book is absolutely essential reading if you’re a fan of the Clash. It chronicles the last days of the band, in relation to the world at the time.
A lot more interesting than I figured it would be. Joe is such a character you've.got to read this.
THIS IS ONE GREAT READ ON THE CLASH,THIS WAS BY FAR THE MOST INFORMATIVE BOOK I HAVE READ ON THE POLITICS OF THE CLASH AND THE POLITICS GOING ON IN 1984-86,MARK AND RALPH DID A GREAT JOB ON GETTING INTERVIEWS FROM ALOT OF THE PLAYERS THAT WERE INVOLVED WITH THE CLASH,I HIGHLY RECOMMEND FOR ANY CLASH FAN OR FAN OF THE PUNK ROCK ERA.
I saw The Clash in this iteration in 1984, my second-ever concert--and in the company of co-author Heibutzki, as it happens. We drove across half the State of Michigan with friends, singing "London Calling" all the way--and it didn't much matter to me that Mick Jones wasn't in the group that took the state in East Lansing that night. It was The Clash, as far as I was concerned. I was 14, and it was 7th Heaven for me.When the album "Cut the Crap" was released, however, I found myself among the Unwashed Confused of the world, scratching my head and thinking, "Huh? This sucks." I stayed in that camp for the next couple of decades, not as willing as some to write that album out of history entirely but still not entirely sure that I wanted to give it another listen anytime soon.I had done that a few times, regardless, however, in these last few years, prior to the release of "We Are The Clash" and had already begun re-thinking elements of "Cut the Crap." There is indeed Good Stuff in that record that I didn't have the patience to wade in and retrieve at 14 or 15. There are good songs worth re-consideration, yes, indeed. What didn't need re-thinking was how much The Clash meant to me, how important they were to my entire self-conception: music, clothes, and--yep--politics.I believe I have read every Clash book on the market, but none of them focus in on this phase of The Clash's existence, the only iteration that I ever saw play live. This is the Clash book missing from my shelf, the one that explains WHO this iteration of The Clash was, why they were, how they came together--and what the hell happened to them. Valuable stuff for the aficionado!Authors Heibutzki and Anderson tell the biographical tell well, filling in the details missing from my mental biography of this band that has been so important to me. I learned a ton that I hadn't known before and now feel as though I have got the complete picture at long last. It is a sadder story than I imagined, full of lost potential and dashed hopes, and m'main man Joe Strummer I now understand to be a much more heavily burdened person than I had imagined.Essential information, in other words, for the Clash Superfan.However, "We Are The Clash" isn't satisfied with that. Was The Clash dubbed "The Only Band That Matters" only as a marketing ploy? Or was there something else there? Was their reputation as "a political band" warranted? If so, was there a coherent political theory fueling the band?Piecing together something coherent from magazine interview quotations doesn't leave even a Superfan with anything firm to hang a hat on. But "We Are The Clash" looks hard at this question. As it should, particularly given Strummer's very strident public avowals of various sorts post-Mick Jones and the ardent assertions as to The Clash's mission in the world. The "Cut the Crap"-era Clash was rife with earnest declarations and public stances of various sorts ... I remember them first-hand.What this book does differently than a standard rock bio is to stare hard at all of that and then juxtapose it with the political events of the day: the ugly doings of Reagan (a little), Thatcher (a lot), and the daily lot of the British working person under those hard regimes. What did and didn't The Clash do in that context? What was that context? This book is a stroll through the political landscape of the 80s in great part.To what end is the reader here reminded of these non-Clash-related events? It isn't clear until the last 1.5 pages of "We Are The Clash," when the authors bring the political history forward into the Trump and Brexit era, long post-Clash, to discuss what and who the "WE" in "We Are The Clash" are ... As Joe Strummer is noted as avowing often during this period, the Clash is possibly best understood not just some guys in a band; it's the rest of us with our antennae unfolded. It's the call to action that a band that mattered can still blare out when even "Cut the Crap" is thrown onto the turntable, let alone their better-remembered albums.This is a story of what was, and that needed telling alone. It is also a story of what could have been, had certain parties and certain conditions not persisted for this Clash "Mark II" line-up. But, most importantly, it is still a story of what could be. That's up to the rest of us. That's what differentiates this book from every other Clash book, the ultimate weaving together of the band's story and its music with the politics of the world at large to ask the reader: "OK, now what, Clash Superfan? What will YOU do?"If we DO something, yes, WE are The Clash. And what better time than now?I think Joe Strummer would approve.
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